Reading section 6

Author: Tagore, Rabindranath

Gitanjali. By Tagore, Rabindranath. This historical English edition is listed by Project Gutenberg as public domain in the USA. Read the source text, search passages, and explore it with the reading assistant.

Contents
  1. Reading section 1
  2. Reading section 2
  3. Reading section 3
  4. Reading section 4
  5. Reading section 5
  6. Reading section 6
  7. Reading section 7
  8. Reading section 8
  9. Reading section 9

Ah, the light dances, my darling, at the centre of my life; the light strikes, my darling, the chords of my love; the sky opens, the wind runs wild, laughter passes over the earth.

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The butterflies spread their sails on the sea of light. Lilies and jasmines surge up on the crest of the waves of light.

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The light is shattered into gold on every cloud, my darling, and it scatters gems in profusion.

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Mirth spreads from leaf to leaf, my darling, and gladness without measure. The heaven’s river has drowned its banks and the flood of joy is abroad.

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58.

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Let all the strains of joy mingle in my last song—the joy that makes the earth flow over in the riotous excess of the grass, the joy that sets the twin brothers, life and death, dancing over the wide world, the joy that sweeps in with the tempest, shaking and waking all life with laughter, the joy that sits still with its tears on the open red lotus of pain, and the joy that throws everything it has upon the dust, and knows not a word.

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59.

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Yes, I know, this is nothing but thy love, O beloved of my heart— this golden light that dances upon the leaves, these idle clouds sailing across the sky, this passing breeze leaving its coolness upon my forehead.

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The morning light has flooded my eyes—this is thy message to my heart. Thy face is bent from above, thy eyes look down on my eyes, and my heart has touched thy feet.

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60.

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On the seashore of endless worlds children meet. The infinite sky is motionless overhead and the restless water is boisterous. On the seashore of endless worlds the children meet with shouts and dances.

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They build their houses with sand and they play with empty shells. With withered leaves they weave their boats and smilingly float them on the vast deep. Children have their play on the seashore of worlds.

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They know not how to swim, they know not how to cast nets. Pearl fishers dive for pearls, merchants sail in their ships, while children gather pebbles and scatter them again. They seek not for hidden treasures, they know not how to cast nets.

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The sea surges up with laughter and pale gleams the smile of the sea beach. Death-dealing waves sing meaningless ballads to the children, even like a mother while rocking her baby’s cradle. The sea plays with children, and pale gleams the smile of the sea beach.

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On the seashore of endless worlds children meet. Tempest roams in the pathless sky, ships get wrecked in the trackless water, death is abroad and children play. On the seashore of endless worlds is the great meeting of children.

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61.

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The sleep that flits on baby’s eyes—does anybody know from where it comes? Yes, there is a rumour that it has its dwelling there, in the fairy village among shadows of the forest dimly lit with glow-worms, there hang two timid buds of enchantment. From there it comes to kiss baby’s eyes.

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The smile that flickers on baby’s lips when he sleeps—does anybody know where it was born? Yes, there is a rumour that a young pale beam of a crescent moon touched the edge of a vanishing autumn cloud, and there the smile was first born in the dream of a dew-washed morning—the smile that flickers on baby’s lips when he sleeps.

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The sweet, soft freshness that blooms on baby’s limbs—does anybody know where it was hidden so long? Yes, when the mother was a young girl it lay pervading her heart in tender and silent mystery of love—the sweet, soft freshness that has bloomed on baby’s limbs.

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62.

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When I bring to you coloured toys, my child, I understand why there is such a play of colours on clouds, on water, and why flowers are painted in tints—when I give coloured toys to you, my child.

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When I sing to make you dance I truly now why there is music in leaves, and why waves send their chorus of voices to the heart of the listening earth—when I sing to make you dance.

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When I bring sweet things to your greedy hands I know why there is honey in the cup of the flowers and why fruits are secretly filled with sweet juice—when I bring sweet things to your greedy hands.

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When I kiss your face to make you smile, my darling, I surely understand what pleasure streams from the sky in morning light, and what delight that is that is which the summer breeze brings to my body—when I kiss you to make you smile.

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63.

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Thou hast made me known to friends whom I knew not. Thou hast given me seats in homes not my own. Thou hast brought the distant near and made a brother of the stranger.

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I am uneasy at heart when I have to leave my accustomed shelter; I forget that there abides the old in the new, and that there also thou abidest.

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Through birth and death, in this world or in others, wherever thou leadest me it is thou, the same, the one companion of my endless life who ever linkest my heart with bonds of joy to the unfamiliar.

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When one knows thee, then alien there is none, then no door is shut. Oh, grant me my prayer that I may never lose the bliss of the touch of the one in the play of many.

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64.

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On the slope of the desolate river among tall grasses I asked her, “Maiden, where do you go shading your lamp with your mantle? My house is all dark and lonesome—lend me your light!” she raised her dark eyes for a moment and looked at my face through the dusk. “I have come to the river,” she said, “to float my lamp on the stream when the daylight wanes in the west.” I stood alone among tall grasses and watched the timid flame of her lamp uselessly drifting in the tide.

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In the silence of gathering night I asked her, “Maiden, your lights are all lit—then where do you go with your lamp? My house is all dark and lonesome—lend me your light.” She raised her dark eyes on my face and stood for a moment doubtful. “I have come,” she said at last, “to dedicate my lamp to the sky.” I stood and watched her light uselessly burning in the void.

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In the moonless gloom of midnight I ask her, “Maiden, what is your quest, holding the lamp near your heart? My house is all dark and lonesome—lend me your light.” She stopped for a minute and thought and gazed at my face in the dark. “I have brought my light,” she said, “to join the carnival of lamps.” I stood and watched her little lamp uselessly lost among lights.

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65.

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What divine drink wouldst thou have, my God, from this overflowing cup of my life?

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My poet, is it thy delight to see thy creation through my eyes and to stand at the portals of my ears silently to listen to thine own eternal harmony?

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Thy world is weaving words in my mind and thy joy is adding music to them. Thou givest thyself to me in love and then feelest thine own entire sweetness in me.

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66.

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She who ever had remained in the depth of my being, in the twilight of gleams and of glimpses; she who never opened her veils in the morning light, will be my last gift to thee, my God, folded in my final song.

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Words have wooed yet failed to win her; persuasion has stretched to her its eager arms in vain.

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I have roamed from country to country keeping her in the core of my heart, and around her have risen and fallen the growth and decay of my life.

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Over my thoughts and actions, my slumbers and dreams, she reigned yet dwelled alone and apart.

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Many a man knocked at my door and asked for her and turned away in despair.

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There was none in the world who ever saw her face to face, and she remained in her loneliness waiting for thy recognition.

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67.

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Thou art the sky and thou art the nest as well.

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O thou beautiful, there in the nest is thy love that encloses the soul with colours and sounds and odours.

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There comes the morning with the golden basket in her right hand bearing the wreath of beauty, silently to crown the earth.

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And there comes the evening over the lonely meadows deserted by herds, through trackless paths, carrying cool draughts of peace in her golden pitcher from the western ocean of rest.

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But there, where spreads the infinite sky for the soul to take her flight in, reigns the stainless white radiance. There is no day nor night, nor form nor colour, and never, never a word.

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68.

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Thy sunbeam comes upon this earth of mine with arms outstretched and stands at my door the livelong day to carry back to thy feet clouds made of my tears and sighs and songs.

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With fond delight thou wrappest about thy starry breast that mantle of misty cloud, turning it into numberless shapes and folds and colouring it with hues everchanging.

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It is so light and so fleeting, tender and tearful and dark, that is why thou lovest it, O thou spotless and serene. And that is why it may cover thy awful white light with its pathetic shadows.

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69.

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The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures.

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It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous waves of leaves and flowers.

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It is the same life that is rocked in the ocean-cradle of birth and of death, in ebb and in flow.

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I feel my limbs are made glorious by the touch of this world of life. And my pride is from the life-throb of ages dancing in my blood this moment.

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70.

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