Reading section 14

It may seem that Indian religion is dreamy, hopeless, and unpractical, but another point of view will show that all Indian systems are intensely practical and hopeful. They promise happiness and point out the way. A mode of life is always prescribed, not merely by works on law and ceremony but by theological and metaphysical treatises. These are not analogous to the writings of Kant or Schopenhauer and to study them as if they were, is like trying to learn riding or cricket by reading handbooks. The aphorisms of the Sânkhya and Vednâta are meant to be read under the direction of a teacher who will see that the pupil's mind is duly prepared not only by explanation but by abstinence and other physical training. Hindu religions are unpractical only in so far that they decline to subordinate themselves to human life. It is assumed that the religious man who is striving towards a goal beyond this world is ready to sacrifice the world without regret and in India the assumption is justified surprisingly often.

As mentioned already the word god has more than one meaning. In India we have at least two different classes of divinities, distinguished in the native languages. First there is Brahman the one self-existent, omnipresent, superpersonal spirit from whom all things emanate and to whom all things return. The elaboration of this conception is the most original feature of Indian theology, which tends to regard Brahman as not merely immanent in all things, but as being all things, so that the soul liberated from illusion can see that it is one with him and that nothing else exists. Very different is the meaning of Deva: this signifies a god (which is not the same as God, though our language insufficiently distinguishes the two) roughly comparable with the gods of classical mythology[137]. How little sense of divinity it carries with it is seen by the fact that it became the common form of address to kings and simply equivalent to Your Majesty. In later times, though Siva is styled Mahâdeva, it was felt that the great sectarian gods, who are for their respective worshippers the personal manifestations in which Brahman makes himself intelligible, required some name distinguishing them from the hosts of minor deities. They are commonly spoken of by some title signifying the Lord: thus Siva is Îśvara, Vishnu and his incarnations are more often styled Bhagavad.

From the Vedic hymns onwards the gods of India have been polymorphic figures not restricted by the limitations of human personality. If a Jew or a Moslim hears new views about God, he is disposed to condemn them as wrong. The Hindu's inclination is to appropriate them and ascribe to his own deity the novel attributes, whether they are consistent with the existing figure or not. All Indian gods are really everything. As the thought of the worshipper wanders among them they turn into one another. Even so sturdy a personality as Indra is declared to be the same as Agni and as Varuna, and probably every deity in the Vedic pantheon is at some time identified with another deity. But though in one way the gods seem vague and impersonal, in another the distinction between gods and men is slight. The Brâhmaṇas tell us that the gods were originally mortal and obtained immortality by offering sacrifices: the man who sacrifices like them makes for himself an immortal body in the abode of the gods and practically becomes a Deva and the bliss of great sages is declared equal to the bliss of the gods[138]. The human and divine worlds are not really distinct, and as in China and Japan, distinguished men are deified. The deification of Buddha takes place before our eyes as we follow the course of history: the origin of Krishna's godhead is more obscure but it is probable that he was a deified local hero. After the period of the Brâhmaṇas the theory that deities manifest themselves to the world in avatâras or descents, that is in our idiom incarnations, becomes part of popular theology.

There are other general characteristics of Indian religion which will be best made clear by more detailed treatment in succeeding chapters. Such are, firstly, a special theory of sacrifice or ritual which, though totally rejected by Buddhism, has survived to modern times. Secondly, a belief in the efficacy of self-mortification as a means of obtaining super-human powers or final salvation. Thirdly, an even more deeply rooted conviction that salvation can be obtained by knowledge. Fourthly, there is the doctrine that faith or devotion to a particular deity is the best way to salvation, but this teaching, though it seems natural to our minds, does not make its appearance in India until relatively late. It is not so peculiarly Indian as the other ideas mentioned, but even at the outset it is well to insist on its prevalence during the last two thousand years because a very false impression may be produced by ignoring it.

There also runs through Indian religion a persistent though inconspicuous current of non-theistic thought. It does not deny the existence of spirits but it treats them as being, like men, subject to natural laws, though able, like men, to influence events. The ultimate truth for it is not pantheism but fixed natural laws of which no explanation is offered. The religion of the Jains and the Sânkhya philosophy belong to this current. So did the teaching of several ancient sects, such as the Âjîvìkas, and strictly speaking Buddhism itself. For the Buddha is not an Avatâra or a messenger but a superman whose exceptional intelligence sees that the Wheel of Causation and the Four Truths are part of the very nature of things. It is strange too that asceticism, sacrifices and modern tantric rites which seem to us concerned with the relations between man and God are in India penetrated by a non-theistic theory, namely that there are certain laws which can be studied and applied, much like electricity, and that then spirits can be coerced to grant what the ascetic or sacrificer desires. At the same time such views are more often implied than formulated. The Dharma is spoken of as the teaching of the Buddha rather than as Cosmic Order like the Tao of the Chinese and though tantric theory assumes the existence of certain forces which can be used scientifically, the general impression produced by tantric works is that they expound an intricate mythology and ritual.

CHAPTER IV

VEDIC DEITIES AND SACRIFICES

1

Our knowledge of early Indian religion is derived almost entirely from literature. After the rise of Buddhism this is supplemented to some extent by buildings, statues and inscriptions, but unlike Egypt and Babylonia, pre-Buddhist India has yielded no temples, images or other religious antiquities, nor is it probable that such will be discovered. Certainly the material for study is not scanty. The theological literature of India is enormous: the difficulty is to grasp it and select what is important. The enquirer is confronted with a series of encyclopædic works of great bulk and considerable antiquity, treating of every aspect of religion which interested the Brahmans. But he continually feels the want of independent testimony to check their statements. They set forth the views of their authors but whether those views met with general acceptance outside the Brahmanic caste and influenced Indian life as a whole or whether classes, such as the military caste, or regions, such as western India and Dravidian India, had different views, it is often hard to say. Even more serious is the difficulty of chronology which affects secular as well as religious literature. The feats of Hindus in the matter of computing time show in the most extravagant form the peculiarities of their mental temperament, for while in their cosmogonies æons whose length the mind can hardly grasp are tabulated with the names of their superhuman rulers there are few[139] dates in the pre-Mohammedan history which can be determined from purely Indian sources. The fragments of obscure Greek writers and the notes of a travelling Chinaman furnish more trustworthy data about important epochs in the history of the Hindus than the whole of their gigantic literature, in which there has been found no mention of Alexander's invasion and only scattered allusions to the conquests of the Sakas, Kushans and Hûnas. We can hardly imagine doubt as to the century in which Shakespeare or Virgil lived, yet when I first studied Sanskrit the greatest of Indian dramatists, Kalidasa, was supposed to have lived about 50 B.C. His date is not yet fixed with unanimity but it is now generally placed in the fifth or sixth century A.D.

This chronological chaos naturally affects the value of literature as a record of the development of thought. We are in danger of moving in a vicious circle: of assigning ideas to an epoch because they occur in a certain book, while at the same time we fix the date of the book in virtue of the ideas which it contains. Still we may feel some security as to the sequence, if not the exact dates, of the great divisions in Indian religious literature such as the period of the Vedic hymns, the period of the Brâhmaṇas, the rise of Buddhism, the composition of the two great epics, and the Puranas. If we follow the opinion of most authorities and accept the picture of Indian life and thought contained in the Pali Tripitaka as in the main historical, it seems to follow that both the ritual system of the Brâhmaṇas and the philosophic speculations of the Upanishads were in existence by 500 B.C.[140] and sufficiently developed to impress the public mind with a sense of their futility. Some interval of mental growth seems to separate the Upanishads from the Brâhmaṇas and a more decided interval separates the Brâhmaṇas from the earlier hymns of the Rig Veda, if not from the compilation of the whole collection[141]. We may hence say that the older Upanishads and Brahmaṇas must have been composed between 800 and 500 B.C. and the hymns of the Rig Veda hardly later than 1000 B.C. Many authorities think the earlier hymns must date from 2000 rather than 1000 B.C. but the resemblance of the Rig Veda to the Zoroastrian Gathas (which are generally regarded as considerably later than 1000 B.C.) is plain, and it will be strange if the two collections prove to be separated by an interval of many centuries. But the stage of social and religious culture indicated in the Vedic hymns may have begun long before they were composed, and rites and deities common to Indians and Iranians existed before the reforms of Zoroaster[142].

It may seem that everything is uncertain in this literature without dates or authors and that the growth of religion in India cannot be scientifically studied. The difficulties are indeed considerable but they are materially reduced by the veneration in which the ancient scriptures were held, and by the retentiveness of memory and devotion to grammar, if not to history, which have characterized the Brahmans for at least twenty-five centuries. The authenticity of certain Vedic texts is guaranteed not only by the quotations found in later works, but by treatises on phonetics, grammar and versification as well as by indices which give the number of words in every book, chapter and verse. We may be sure that we possess not perhaps the exact words of the Vedic poets, but what were believed about 600 B.C. to be their exact words, and there is no reason to doubt that this is a substantially correct version of the hymns as recited several centuries earlier[143].

In drawing any deductions from the hymns of the Rig Veda it must be remembered that it is the manual of the Hotri priests[144]. This does not affect the age or character of the single pieces: they may have been composed at very different dates and they are not arranged in the order in which the priest recites them. But the liturgical character of the compilation does somewhat qualify its title to give a complete picture of religion. One could not throw doubt on a ceremony of the Church, still less on a popular custom, because it was not mentioned in the missal, and we cannot assume that ideas or usages not mentioned in the Rig Veda did not exist at the time when it was composed.

We have no other Sanskrit writings contemporary with the older parts of the Rig Veda, but the roots of epic poetry stretch far back and ballads may be as old as hymns, though they neither sought nor obtained the official sanction of the priesthood. Side by side with Vedic tradition, unrecorded Epic tradition built up the figures of Siva, Râma and Krishna which astonish us by their sudden appearance in later literature only because their earlier phases have not been preserved.

The Vedic hymns were probably collected and arranged between 1000 and 500 B.C. At that period rites and ceremonies multiplied and absorbed man's mind to a degree unparalleled in the history of the world and literature occupied itself with the description or discussion of this dreary ceremonial. Buddhism was a protest against the necessity of sacrifices and, though Buddhism decayed in India, the sacrificial system never recovered from the attack and assumed comparatively modest proportions. But in an earlier period, after the composition of the Vedic hymns and before the predominance of speculation, skill in ceremonial was regarded as the highest and indeed only science and the ancient prayers and poems of the race were arranged in three collections to suit the ritual. These were the Rig Veda, containing metrical prayers: the Yajur Veda (in an old and new recension known as the Black and the White) containing formulæ mainly in prose to be muttered during the course of the sacrifice: and the Sâma Veda, a book of chants, consisting almost entirely of verses taken from the Rig Veda and arranged for singing. The Rig Veda is clearly older than the others: its elements are anterior to the Brahmanic liturgy and are arranged in less complete subservience to it than in the Yajur and Sâma Vedas.

The restriction of the words Veda and Vedic to the collection of hymns, though convenient, is not in accordance with Indian usage, which applies the name to a much larger body of religious literature. What we call the Rig Veda is strictly speaking the mantras of the Rig Veda or the Rig-Veda-Saṃhitâ: besides this, there are the Brâhmaṇas or ceremonial treatises, the Âraṇyakas and Upanishads containing philosophy and speculation, the Sûtras or aphoristic rules, all comprised in the Veda or Śruti (hearing), that is the revelation heard directly by saints as opposed to Smṛiti (remembering) or tradition starting from human teachers. Modern Hindus when not influenced by the language of European scholars apply the word Veda especially to the Upanishads.

For some time only three[145] Vedas were accepted. But the Epics and the Puranas know of the fourfold Veda and place the Atharva Veda on a level with the other three. It was the manual of two ancient priestly families, the Atharvans and Angirasas, whose speciality was charms and prophylactics rather than the performance of the regular sacrifices. The hymns and magic songs which it contains were probably collected subsequently to the composition of the Brâhmaṇas, but the separate poems are older and, so far as can be judged from their language, are intermediate between the Rig Veda and the Brâhmaṇas. But the substance of many of the spells must be older still, since the incantations prescribed show a remarkable similarity to old German, Russian and Lettish charms. The Atharva also contains speculative poems and, if it has not the freshness of the Rig Veda, is most valuable for the history of Indian thought and civilization.

I will not here enquire what was the original home of the Aryans or whether the resemblances shown by Aryan languages justify us in believing that the ancestors of the Hindus, Greeks, Kelts, Slavs, etc., belonged to a single race and physical type. The grounds for such a belief seem to me doubtful. But a comparison of language, religion and customs makes it probable that the ancestors of the Iranians and Hindus dwelt together in some region lying to the north of India and then, in descending southwards, parted company and wandered, one band westwards to Persia and the other to the Panjab and south-east[146]. These latter produced the poets of the Rig Veda. Their home is indicated by their acquaintance with the Himalayas, the Kabul river, the Indus and rivers of the Panjab, and the Jamna. The Ganges, though known, apparently lay beyond their sphere, but the geography of the Atharva extends as far as Benares and implies a practical knowledge of the sea, which is spoken of somewhat vaguely in the Rig Veda. It is probable that the oldest hymns were composed among the rivers of the Panjab, but the majority somewhat further to the east, in the district of Kurukshetra or Thanesar. At some period subsequent to the Aryan immigration there was a great struggle between two branches of the same stock, related in a legendary form as the contest between the Kauravas and Pâṇḍavas. Some have thought that we have here an indication of a second invasion composed of Aryans who remained in the mountainous districts north of the Hindu Kush when the first detachment moved south and who developed there somewhat different customs. It is also possible that the Atharva Veda may represent the religious ideas of these second invaders. In several passages the Mahâbhârata speaks of the Atharva as the highest Veda and represents the Pâṇḍavas as practising polyandry, a custom which still prevails among many Himalayan tribes.

The Rig Veda depicts a life not far advanced in material arts but, considering the date, humane and civilized. There were no towns but merely villages and fortified enclosures to be used as refuges in case of necessity. The general tone of the hymns is kindly and healthy; many of them indeed have more robust piety than interest. There are few indications of barbarous customs. The general impression is of a free and joyous life in which the principal actors are chiefs and priests, though neither have become tyrannical.

The composition of this anthology probably extended over several centuries and comprised a period of lively mental growth. It is therefore natural that it should represent stages of religious development which are not contemporaneous. But though thought is active and exuberant in these poems they are not altogether an intellectual outburst excited by the successful advance into India. The calm of settlement as well as the fire of conquest have left their mark on them and during the period of composition religion grew more boldly speculative but also more sedentary, formal and meticulous. The earliest hymns bear traces of quasi-nomadic life, but the writers are no longer nomads. They follow agriculture as well as pasturage, but they are still contending with the aborigines: still expanding and moving on. They mention no states or capitals: they revere rivers and mountains but have no shrines to serve as religious centres, as repositories and factories of tradition. Legends and precepts have of course come down from earlier generations, but are not very definite or cogent: the stories of ancient sages and warriors are vague and wanting in individual colour.

2

The absence of sculpture and painting explains much in the character of the Vedic deities. The hymn-writers were devout and imaginative, not content to revere some undescribed being in the sky, but full of mythology, metaphor and poetry and continually singling out new powers for worship. Among many races the conceptions thus evolved acquire solidity and permanence by the aid of art. An image stereotypes a deity, worshippers from other districts can see it and it remains from generation to generation as a conservative and unifying force. Even a stone may have something of the same effect, for it connects the deity with the events, rites and ideas of a locality. But the earliest stratum of Vedic religion is worship of the powers of nature—such as the Sun, the Sky, the Dawn, the Fire—which are personified but not localized or depicted. Their attributes do not depend at all on art, not much on local or tribal custom but chiefly on imagination and poetry, and as this poetry was not united in one collection until a later period, a bard was under no obligation to conform to the standards of his fellows and probably many bards sang without knowing of one another's existence.

Such a figure as Agni or Fire—if one can call him a figure—illustrates the fluid and intangible character of Vedic divinities. He is one of the greatest in the Pantheon, and in some ways his godhead is strongly marked. He blesses, protects, preserves, and inspires: he is a divine priest and messenger between gods and men: he "knows all generations." Yet we cannot give any definite account of him such as could be drawn up for a Greek deity. He is not a god of fire, like Vulcan, but the Fire itself regarded as divine. The descriptions of his appearance are not really anthropomorphic but metaphorical imagery depicting shining, streaming flames. The hymns tell us that he has a tawny beard and hair: a flaming head or three heads: three tongues or seven: four eyes or a thousand. One poem says that he faces in all directions: another that he is footless and headless. He is called the son of Heaven and Earth, of Tvashṭri and the Waters, of the Dawn, of Indra-Vishnu. One singer says that the gods generated him to be a light for the Aryans, another that he is the father of the gods. This multiple origin becomes more definite in the theory of Agni's three births: he is born on earth from the friction of fire sticks, in the clouds as lightning, and in the highest heavens as the Sun or celestial light. In virtue of this triple birth he assumes a triune character: his heads, tongues, bodies and dwellings are three, and this threefold nature has perhaps something to do with the triads of deities which become frequent later and finally develop into the Trimûrti or Brahmâ, Vishnu, and Siva. But there is nothing fixed or dogmatic in this idea of Agni's three births. In other texts he is said to have two, one in Heaven and one on Earth, and yet another turn of fancy ascribes to him births innumerable because he is kindled on many hearths. Some of the epithets applied to him become quasi-independent. For instance, Agni Vaiśvânara—All men's fire—and Agni Tanunapat, which seems to mean son of himself, or fire spontaneously generated, are in a later period treated almost as separate deities. Mâtariśvan is sometimes a name of Agni and sometimes a separate deity who brings Agni to mankind.

In the same way the Rig Veda has not one but many solar deities. Mitra, Sûrya, Savitri, and perhaps Puśan, Bhaga, Vivasvat and Vishnu, are all loose personifications of certain functions or epithets of the sun. Deities are often thought of in classes. Thus we have the Maruts, Rudras and Vasus. We hear of Prajâpati in the singular, but also of the Prajâpatis or creative forces.

Not only does Agni tend to be regarded as more than one: he is identified with other gods. We are told he is Varuṇa and Mitra, Savitri and Indra. "Thou art Varuṇa when born," says one hymn, "thou becomest Mitra when kindled. In thee, O son of strength, are all the gods[147]." Such identifications are common in the Vedas. Philosophically, they are an early manifestation of the mental bias which leads to pantheism, metempsychosis, and the feeling that all things and persons are transitory and partial aspects of the one reality. But evidently the mutability of the Vedic gods is also due to their nature: they are bundles of epithets and functions without much personal or local centre. And these epithets and functions are to a large extent, the same. All the gods are bright and swift and helpful: all love sacrifices and bestow wealth, sons and cows. A figure like Agni enables us to understand the many-sided, inconsistent presentment of Siva and Vishnu in later times. A richer mythology surrounds them but in the fluidity of their outline, their mutability and their readiness to absorb or become all other deities they follow the old lines. Even a deity like Gaṇeśa who seems at first sight modern and definite illustrates these ancient characteristics. He has one or five heads and from four to sixteen arms: there are half a dozen strange stories of his birth and wonderful allegories describing his adventures. Yet he is also identified with all the Gods and declared to be the creator, preserver and destroyer of the Universe, nay the Supreme Spirit itself[148].