Reading section 2

OR

THE HERO AND THE NYMPH.

In the Himalaya mountains, the nymphs of heaven, on returning from an assembly of the gods, are mourning over the loss of Urvasi, a fellow-nymph, who has been carried off by a demon. King Pururavas enters on his chariot, and on hearing the cause of their grief, hastens to the rescue of the nymph. He soon returns, after having vanquished the robber, and restores Urvasi to her heavenly companions. While carrying the nymph back to her friends in his chariot, he is enraptured by her beauty, falls in love with her and she with her deliverer. Urvasi being summoned before the throne of Indra, the lovers are soon obliged to part. When they part, Urvasi wishes to turn round once more to see the king.

She pretends that a straggling vine has caught her garland, and while feigning to disengage herself, she calls one of her friends to help her.

The friend replies:--

"I fear, this is no easy task. You seem entangled too fast to be set free: but, come what may, defend upon my friendship." The eyes of the king then meet those of Urvasi. They now part.

The king is now at Prayag, the modern Allahabad, his residence. He walks in the garden of his palace, accompanied by a Brahman who is his confidential companion, and knows his love for Urvasi. The companion is so afraid of betraying what must remain a secret to everybody at court, and in particular to the queen, that he hides himself in a retired temple. There a female servant of the queen discovers him, and 'as a secret can no more rest in his breast than morning dew upon the grass,' she soon finds out from him why the king is so changed, since his return from the battle with the demon, and carries the tale to the queen. In the meantime, the king is in despair, and pours out his grief. Urvasi also is sighing for him. She suddenly descends with her friend through the air to meet him.

Both are at first invisible to him, and listen to his confession of love.

Then Urvasi writes a verse on a birch-leaf, and lets it fall near the bower where her beloved reclines.

Next, her friend becomes visible, and at last, Urvasi herself is introduced to the king. After a few moments, however, both Urvasi and her friend are called back by a messenger of the gods, and the king is left alone with his jester. He looks for the leaf on which Urvasi had first disclosed her love, but it is lost, carried away by the wind. But worse than this the leaf is picked up by the queen, who comes to look for the king in the garden. The queen severely upbraids her husband, and, after a while, goes off in a hurry, like a river in the rainy season.

When Urvasi was recalled to Indra's heaven, she had to act before Indra the part of the goddess of beauty, who selects Vishnu for her husband. One of the names of Vishnu is Purushottama.

Poor Urvasi, when called upon to confess on whom her heart was set, forgetting the part she had to act, says "I love Pururavas," instead of "I love Purushottama."

Her teacher Bharata, the author of the play, is so much exasperated by this mistake, that he pronounces a curse upon Urvasi. "You must lose your divine knowledge." After the close of the performance, Indra, observing her as she stood apart, ashamed and disconsolate, calls her and says:--

"The mortal, who engrosses your thoughts, has been my friend in the days of adversity; he has helped me in the conflict with the enemies of the gods, and is entitled to my acknowledgements. You must, accordingly, repair to him and remain with him till he beholds the offspring you shall bear him." The god thus permits her to marry the mortal hero.

After transacting public business, the king retires to the garden of the palace as the evening approaches. A messenger arrives from the queen, apprising his Majesty that she desires to see him on the terrace of the pavilion. The king obeys and ascends the crystal steps while the moon is just about to rise, and the east is tinged with red.

As he is waiting for the queen, his desire for Urvasi is awakened again. On a sudden, Urvasi enters on a heavenly car, accompanied by his friend. They are invisible to the king as on the previous occasion. The moment that Urvasi is about to withdraw her veil, the queen appears. She is dressed in white, without any ornaments, and comes to propitiate her husband, by taking a vow.

Then she, calling upon the god of the moon, performs her solemn vow and retires.

Urvasi, who is present, though in an invisible state, during this scene of matrimonial reconciliation, now advances behind the king and covers his eyes with her hands. The king says:--

"It must be Urvasi; no other hand could shed such ecstasy through my emaciated frame. The solar rays do not wake the night's fair blossom; that alone expands when conscious of the moon's dear presence."

She takes the resignation of the queen in good earnest and claims the king as granted her by right. Her friend takes leave and she now remains with the king as his beloved wife in the groves of a forest.

Subsequently the lovers are wandering near Kailasa, the divine mountain, when Urvasi, in a fit of jealousy, enters the grove of Kumara, the god of war, which is forbidden to all females. In consequence of Bharat's curse she is instantly metamorphosed into a creeper. The king beside himself with grief at her loss, seeks her everywhere. The nymphs in a chorus deplore her fate. Mournful strains are heard in the air.

The king enters a wild forest, his features express insanity, his dress is disordered. Clouds gather overhead. He rushes frantically after a cloud which he mistakes for a demon that carried away his bride.

He addresses various birds and asks them whether they have seen his love,--the peacock, 'the bird of the dark-blue throat and eyes of jet,'--the cuckoo, 'whom lovers deem Love's messenger,'--the swans, 'who are sailing northward, and whose elegant gait betrays that they have seen her,'--the chakravaka, 'a bird who, during the night, is himself separated from his mate,'--but none responds. He apostrophises various insects, beasts and even a mountain peak to tell him where she is.

Neither the bees which murmur amidst the petals of the lotus, nor the royal elephant, that reclines with his mate under the Kadamba tree, has seen the lost one.

At last he thinks he sees her in the mountain stream:--

"The rippling wave is like her frown; the row of tossing birds her girdle; streaks of foam, her fluttering garment as she speeds along; the current, her devious and stumbling gait. It is she turned in her wrath into a stream."

At last the king finds a gem of ruddy radiance. He holds it in his hands, and embraces the vine which is now transformed into Urvasi. Thus is she restored to her proper form, through the mighty spell of the magical gem. The efficacious gem is placed on her forehead. The king recovers his reason. They are thus happily re-united and return to Allahabad.

Several years elapse. An unlucky incident now comes to pass. A hawk bears away the ruby of re-union. Orders are sent to shoot the bird, and, after a short while, a forester brings the jewel and the arrow by which the hawk was killed. An inscription on the shaft shows that its owner is Ayus. A female ascetic enters, leading a boy with a bow in hand.

The boy is Ayus, the son of Urvasi, whom his mother confided to the female ascetic who generously brought him up in the forest and now; sends him back to his mother. The king who was not aware that Urvasi had ever borne him a son, now recognises Ayus as his son. Urvasi also comes to embrace her boy. She now suddenly bursts into tears and tells the king:--

"Indra decreed that I am to be recalled to heaven when you see our son. This induced me to conceal from you so long the birth of the child. Now that you have accidentally seen the child, I shall have to return to heaven, in compliance with the decree of Indra."

She now prepares to leave her husband after she has seen her boy installed as associate king. So preparations are made for the inauguration ceremony when Narada the messenger of Indra, comes to announce that the god has compassionately revoked the decree. The nymph is thus permitted to remain on earth for good as the hero's second wife.

Nymphs descend from heaven with a golden vase containing the water of the heavenly Ganges, a throne, and other paraphernalia, which they arrange. The prince is inaugurated as Yuvaraj. All now go together to pay their homage to the queen, who had so generously resigned her rights in favour of Urvasi.

MALAVIKAGNIMITRA,

OR

AGNIMITRA AND MALAVIKA.

We learn a wise sentiment from the prologue. The stage-manager, addressing the audience, says:--"All that is old is not, on that account, worthy of praise, nor is a novelty, by reason of its newness, to be censured. The wise do not decide what is good or bad till they have tested merit for themselves: a foolish man trusts to another's judgement."

Puspamitra was the founder of the Sunga dynasty of Magadha kings, having been the general of Vrihadratha, the last of the Maurya race, whom he deposed and put to death: he was succeeded by his son Agnimitra who reigned at Vidica (Bhilsa) in the second century B.C. King Agnimitra has two queens Dharini and Iravati. Malavika belongs to the train of his queen Dharini's attendants. The maid was sent as a present to the queen by her brother, Virsena, governor of the Antapala or barrier-fortress on the Nermada.

The queen jealously keeps her out of the king's sight on account of her great beauty. The king, however, accidentally sees the picture of Malavika, painted by order of the queen for her _chitrasala_, or picture-gallery. The sight of the picture inspires the king with an ardent desire to view the original, whom he has never yet beheld.

Hostilities are about to break out between Agnimitra and Yajnasena, king of Viderbha (Berar). The first, on one occasion, had detained captive the brother-in-law of the latter, and Yajnasena had retaliated by throwing into captivity Madhavasena, the personal friend of Agnimitra, when about to repair to Vidisa to visit that monarch. Yajnasena sends to propose an exchange of prisoners, but Agnimitra haughtily rejects the stipulation, and sends orders to his brother-in-law, Virasena, to lead an army immediately against the Raja of Viderbha. This affair being disposed of, he directs his attention to domestic interests, and employs his Vidushaka or confidant, Gotama, to procure him the sight of Malavika. To effect this, Gotama instigates a quarrel between the professors, Ganadas and Haradatta, regarding their respective pre-eminence.

They appeal to the Raja, who, in consideration of Ganadasa's being patronised by the queen, refers the dispute to her. She is induced to consent reluctantly to preside at a trial of skill between the parties, as shown in the respective proficiency of their select scholars. The queen is assisted by a protegé, a _Parivrajaka_, or female ascetic and woman of superior learning.

The party assembles in the chamber where the performance is to take place, fitted up with the _Sangitarachana_, or orchestral decorations. The king's object is attained, for Ganadasa brings forward Malavika as the pupil on whom he stakes his credit. Malavika sings an _Upanga_ or prelude, and then executes an air of extraordinary difficulty. Malavika's performance is highly applauded, and, of course, captivates the king and destroys his peace of mind; the Vidushaka detains her until the queen, who has all along suspected the plot, commands her to retire. The warder cries the hour of noon, on which the party breaks up, and the queen, with more housewifery than majesty, hastens away to expedite her royal husband's dinner.

There stands an _asoka_ tree in the garden. The Hindus believe that this tree, when barren, may be induced to put forth flowers by the contact of the foot of a handsome woman. The tree in question does not blossom, and being the favourite of Dharini, she has proposed to try the effect of her own foot. Unluckily however, the Vidhushaka, whilst setting her swing in motion, has tumbled her out of it and the fall has sprained her ankle, so that she cannot perform the ceremony herself: she therefore deputes Malavika to do it for her, who accordingly comes to the spot attired in royal habiliments, and accompanied by her friend Vakulavali. In the conversation that ensues, she acknowledges her passion for the king, who with his friend Gotama has been watching behind the tree, and overhears the declaration; he therefore makes his appearance and addresses a civil speech, to Malavika when he is interrupted by another pair of listeners, Iravati and her attendant. She commands Malavika's retreat, and leaves the king, in a violent rage, to inform Dharini of what is going forward. The King never behaves as a despot but always with much consideration for the feelings of his spouses.

The Vidushaka now informs the king that Malavika has been locked in the _Sarabhandagriha_ or the store or treasure room by the queen. The room was no enviable place, as the Vidusaka compares it to Patala, the infernal regions. He undertakes, however, to effect her liberation; and whilst he prepares for his scheme, the Raja pays a visit to the queen.

Whilst the Raja is engaged in tranquil conversation with Dharini, and the parivrajaka, the vidushaka rushes in, exclaiming he has been beaten by a venomous snake, whilst gathering flowers to bring with him as a present on his visit to the queen, and he exhibits his thumb bound with his cord, and marked with the impressions made by the teeth of the reptile. The parivrajaka, with some humour as well as good surgery, recommends the actual cautery, or the amputation of the thumb; but the vidushaka pretending to be in convulsions and dying, the snake-doctor is sent for, who having had his clue refuses to come, and desires the patient may be sent to him: the vidushaka is accordingly sent. The queen is in great alarm, as being, however innocently, the cause of a Brahman's death. Presently the messenger returns, stating that the only hope is the application of the snake-stone to the bite, and requesting the Raja to order one to be procured: the queen has one in her finger-ring, which she instantly takes off and sends to the vidushaka. This is his object, for the female jailor of Malavika has, as he has ascertained, been instructed to liberate her prisoner only on being shown the seal ring or signet of the queen, and having got this in his possession, he immediately effects the damsel's release, after which the ring is returned to the queen, and the Vidushaka is perfectly recovered.

The king then being summoned away by a concerted pretext, hastens to the Samudra pavilion, where Malavika has been conveyed with her friend and companion, Vakulavali. This pavilion is decorated with portraits of the king and his queens, and Malavika is found by her lover engrossed with their contemplation. Vakulavali retires. The Vidushaka takes charge of the door, but he no sooner sits down on the threshold than he falls asleep. The Raja and Malavika, consequently, have scarcely time to exchange professions of regard, when they are again disturbed by the vigilant and jealous Iravati, who sends information of her discoveries to Dharini, and in the meantime remains sentinel over the culprits. The party, however, is disturbed by news, that Agnimitra's daughter has been almost frightened to death by a monkey, and Iravati and the Raja hasten to her assistance, leaving Malavika to the consolation derived from hearing that the _Asoka_ tree is in blossom, an omen of the final success of her own desires.

The Raja, Dharini and the Parivrajaka, with Malavika and other attendants, gather about the _Asoka_ tree, when some presents arrive from the now submissive monarch of Viderbha, against whom the troops of Virashena have been successful. Amongst the gifts are two female slaves, who immediately recognize in Malavika the sister of Madhavasena, the friend of Agnimitra, whom the armies of the latter have just extricated from the captivity to which the Viderbha sovereign had consigned him. It appears that when he was formerly seized by his kinsman, his minister, Sumati, contrived to effect his own escape, along with his sister and the young princess. That sister, Kausika, now reveals herself in the person of the Parivrajaka, and continues the story of their flight. Sumati joined a caravan bound to Vidisa On their way to the Vindhya mountains, they were attacked by the foresters, who were armed with bows and arrows, and decorated with peacock's plumes: in the affray Sumati was slain and Malavika was lost.

Kausika, left alone, committed her brother's body to the flames, and then resumed her route to Vidisa, where she assumed the character of a female ascetic The Raja observes she did wisely. Kausika soon found out Malavika, but forebore to discover herself, confiding in the prophecy of a sage, who had foretold that the princess, after passing through a period of servitude, would meet with a suitable match.

It thus finally turns out that Malavika is by birth a princess, who had only come to be an attendant at Agnimitra's court through having fallen into the hands of robbers.

The king issues his orders respecting the terms to be granted to Yajnasena, the king of Viderbha, the half of whose territory he assigns to Madhavasena, the brother of Malavika.

A letter arrives from the general Pushpamitra, giving an account of some transactions that have occurred upon the southern bank of the Indus.

On his own behalf, or that of his son, he had undertaken to celebrate an _aswamedha_, or horse-sacrifice, for which it was essential that the steed should have a free range for twelve months, being attended only by a guard to secure him. This guard had been placed by Pushpamitra under the command of Agnimitra's son, Vasumitra. Whilst following the victim along the Indus, a party of Yavana horse attempted to carry off the courser, but they were encountered by the young prince, and after a sharp conflict, defeated.

Pushpamitra concludes with inviting his son to come with his family to complete the sacrifice.

The queen, Dharini, overjoyed with the news of her son's success and safety, distributes rich presents to all her train and the females of Agnimitra's establishment, whilst to him she presents Malavika. Iravati communicates her concurrence in this arrangement, and the Raja obtains a bride, whom his queens accept as their sister. The difficulty of conciliating his queens is thus removed. The king now marries Malavika and all ends happily.

THE VIRA CHARITA OR THE MAHAVIRA CHARITA

OR

THE LIFE OF THE GREAT HERO.

Dasaratha, the king of Ayodhya (Oudh), is the father of four sons Rama, Lakshmana, Bharata and Satrughna. Rama and Lakshmana visit Viswamitra's hermitage. Kusadhwaja, the king of Sankasya and the brother of Janaka, the king of Mithila, accompanied by his two nieces, Sita and Urmila, enters the hermitage of Viswamitra on the borders of the Kausiki (Cosi), having been invited by the sage to his sacrifice. He is met by the sage with the two youths Rama and Lakshmana, and the young couples become mutually enamoured. Meanwhile Ahalya--the cursed wife of Gautama--gets cleared of her guilt through the purifying influence of Rama.

A messenger from Ravana, the demon king of Lanka, arrives, who has followed them from Mithila, and comes to demand Sita as a wife for his master.

They are further disturbed by Taraka, a female fiend, the daughter of Suketu, wife of Sunda and mother of Maricha. Rama, by command of Viswamitra slays her. Viswamitra is exceedingly pleased with the deed and invokes and gives to Rama the heavenly weapons with all their secrets of discharge and dissolution. The sage recommends Kusadhwaja to invite the bow of Siva for Rama's present trial, and consequent obtaining of Sita. The bow arrives, self-conveyed, being, as the weapon of so great a deity, pregnant with intelligence. Rama snaps it asunder, in consequence of which feat it is agreed that Sita shall be wedded to him; Urmila her sister, to Lakshmana; and Mandavi and Srutakirti, the daughters of Kusadhwaja, to Bharata and Satrughna respectively. The party is again disturbed by Suvahu and Maricha, the first of whom is killed and the second, thrown at a distance by Rama.

The messenger of Ravana then goes away mortified to represent the matter to the minister of Ravana. The saint and his visitors then retire into the hermitage.