Reading section 3

We thus see that the earliest beginnings of most systems of Hindu thought can be traced to some time between 600 B.C. to 100 or 200 B.C. It is extremely difficult to say anything about the relative priority of the systems with any degree of certainty. Some conjectural attempts have been made in this work with regard to some of the systems, but how far they are correct, it will be for our readers to judge. Moreover during the earliest manifestation of a system some crude outlines only are traceable. As time went on the systems of thought began to develop side by side. Most of them were taught from the time in which they were first conceived to about the seventeenth century A.D. in an unbroken chain of teachers and pupils. Even now each system of Hindu thought has its own adherents, though few people now

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care to write any new works upon them. In the history of the growth of any system of Hindu thought we find that as time went on, and as new problems were suggested, each system tried to answer them consistently with its own doctrines. The order in which we have taken the philosophical systems could not be strictly a chronological one. Thus though it is possible that the earliest speculations of some form of Sâ@mkhya, Yoga, and Mîmâ@msâ were prior to Buddhism yet they have been treated after Buddhism and Jainism, because the elaborate works of these systems which we now possess are later than Buddhism. In my opinion the Vais'e@sika system is also probably pre-Buddhistic, but it has been treated later, partly on account of its association with Nyâya, and partly on account of the fact that all its commentaries are of a much later date. It seems to me almost certain that enormous quantities of old philosophical literature have been lost, which if found could have been of use to us in showing the stages of the early growth of the systems and their mutual relations. But as they are not available we have to be satisfied with what remains. The original sources from which I have drawn my materials have all been indicated in the brief accounts of the literature of each system which I have put in before beginning the study of any particular system of thought.

In my interpretations I have always tried to follow the original sources as accurately as I could. This has sometimes led to old and unfamiliar modes of expression, but this course seemed to me to be preferable to the adoption of European modes of thought for the expression of Indian ideas. But even in spite of this striking similarities to many of the modern philosophical doctrines and ideas will doubtless be noticed. This only proves that the human mind follows more or less the same modes of rational thought. I have never tried to compare any phase of Indian thought with European, for this is beyond the scope of my present attempt, but if I may be allowed to express my own conviction, I might say that many of the philosophical doctrines of European philosophy are essentially the same as those found in Indian philosophy. The main difference is often the difference of the point of view from which the same problems appeared in such a variety of forms in the two countries. My own view with regard to the net value of Indian philosophical development will be expressed in the concluding chapter of the second volume of the present work.

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CHAPTER II

THE VEDAS, BRÂHMANAS AND THEIR PHILOSOPHY

The Vedas and their antiquity.

The sacred books of India, the Vedas, are generally believed to be the earliest literary record of the Indo-European race. It is indeed difficult to say when the earliest portions of these compositions came into existence. Many shrewd guesses have been offered, but none of them can be proved to be incontestably true. Max Müller supposed the date to be 1200 B.C., Haug 2400 B.C. and Bâl Ga@ngâdhar Tilak 4000 B.C. The ancient Hindus seldom kept any historical record of their literary, religious or political achievements. The Vedas were handed down from mouth to mouth from a period of unknown antiquity; and the Hindus generally believed that they were never composed by men. It was therefore generally supposed that either they were taught by God to the sages, or that they were of themselves revealed to the sages who were the "seers" (_mantradra@s@tâ_) of the hymns. Thus we find that when some time had elapsed after the composition of the Vedas, people had come to look upon them not only as very old, but so old that they had, theoretically at least, no beginning in time, though they were believed to have been revealed at some unknown remote period at the beginning of each creation.

The place of the Vedas in the Hindu mind.

When the Vedas were composed, there was probably no system of writing prevalent in India. But such was the scrupulous zeal of the Brahmins, who got the whole Vedic literature by heart by hearing it from their preceptors, that it has been transmitted most faithfully to us through the course of the last 3000 years or more with little or no interpolations at all. The religious history of India had suffered considerable changes in the latter periods, since the time of the Vedic civilization, but such was the reverence paid to the Vedas that they had ever remained as the highest religious authority for all sections of the Hindus at all times. Even at this day all the obligatory duties of the Hindus at birth, marriage, death, etc., are performed according to the old

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Vedic ritual. The prayers that a Brahmin now says three times a day are the same selections of Vedic verses as were used as prayer verses two or three thousand years ago. A little insight into the life of an ordinary Hindu of the present day will show that the system of image-worship is one that has been grafted upon his life, the regular obligatory duties of which are ordered according to the old Vedic rites. Thus an orthodox Brahmin can dispense with image-worship if he likes, but not so with his daily Vedic prayers or other obligatory ceremonies. Even at this day there are persons who bestow immense sums of money for the performance and teaching of Vedic sacrifices and rituals. Most of the Sanskrit literatures that flourished after the Vedas base upon them their own validity, and appeal to them as authority. Systems of Hindu philosophy not only own their allegiance to the Vedas, but the adherents of each one of them would often quarrel with others and maintain its superiority by trying to prove that it and it alone was the faithful follower of the Vedas and represented correctly their views. The laws which regulate the social, legal, domestic and religious customs and rites of the Hindus even to the present day are said to be but mere systematized memories of old Vedic teachings, and are held to be obligatory on their authority. Even under British administration, in the inheritance of property, adoption, and in such other legal transactions, Hindu Law is followed, and this claims to draw its authority from the Vedas. To enter into details is unnecessary. But suffice it to say that the Vedas, far from being regarded as a dead literature of the past, are still looked upon as the origin and source of almost all literatures except purely secular poetry and drama. Thus in short we may say that in spite of the many changes that time has wrought, the orthodox Hindu life may still be regarded in the main as an adumbration of the Vedic life, which had never ceased to shed its light all through the past.

Classification of the Vedic literature.

A beginner who is introduced for the first time to the study of later Sanskrit literature is likely to appear somewhat confused when he meets with authoritative texts of diverse purport and subjects having the same generic name "Veda" or "S'ruti" (from _s'ru_ to hear); for Veda in its wider sense is not the name of any

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particular book, but of the literature of a particular epoch extending over a long period, say two thousand years or so. As this literature represents the total achievements of the Indian people in different directions for such a long period, it must of necessity be of a diversified character. If we roughly classify this huge literature from the points of view of age, language, and subject matter, we can point out four different types, namely the Sa@mhitâ or collection of verses (_sam_ together, _hita_ put), Brâhma@nas, Âra@nyakas ("forest treatises") and the Upani@sads. All these literatures, both prose and verse, were looked upon as so holy that in early times it was thought almost a sacrilege to write them; they were therefore learnt by heart by the Brahmins from the mouth of their preceptors and were hence called _s'ruti_ (literally anything heard)[Footnote ref 1].

The Sa@mhitâs.

There are four collections or Sa@mhitâs, namely @Rg-Veda, Sâma-Veda, Yajur-Veda and Atharva-Veda. Of these the @Rg-Veda is probably the earliest. The Sâma-Veda has practically no independent value, for it consists of stanzas taken (excepting only 75) entirely from the @Rg-Veda, which were meant to be sung to certain fixed melodies, and may thus be called the book of chants. The Yajur-Veda however contains in addition to the verses taken from the @Rg-Veda many original prose formulas. The arrangement of the verses of the Sâma-Veda is solely with reference to their place and use in the Soma sacrifice; the contents of the Yajur-Veda are arranged in the order in which the verses were actually employed in the various religious sacrifices. It is therefore called the Veda of Yajus--sacrificial prayers. These may be contrasted with the arrangement in the @Rg-Veda in this, that there the verses are generally arranged in accordance with the gods who are adored in them. Thus, for example, first we get all the poems addressed to Agni or the Fire-god, then all those to the god Indra and so on. The fourth collection, the Atharva-Veda, probably attained its present form considerably later than the @Rg-Veda. In spirit, however, as Professor Macdonell says, "It is not only entirely different from the _Rigveda_ but represents a much more primitive stage of thought. While the _Rigveda_ deals almost exclusively with the higher gods as conceived by a

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[Footnote 1: Pâ@nini, III. iii. 94.]

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comparatively advanced and refined sacerdotal class, the _Atharva-Veda_ is, in the main a book of spells and incantations appealing to the demon world, and teems with notions about witchcraft current among the lower grades of the population, and derived from an immemorial antiquity. These two, thus complementary to each other in contents are obviously the most important of the four Vedas [Footnote ref 1]."

The Brâhma@nas. [Footnote ref 2]

After the Sa@mhitâs there grew up the theological treatises called the Brâhma@nas, which were of a distinctly different literary type. They are written in prose, and explain the sacred significance of the different rituals to those who are not already familiar with them. "They reflect," says Professor Macdonell, "the spirit of an age in which all intellectual activity is concentrated on the sacrifice, describing its ceremonies, discussing its value, speculating on its origin and significance." These works are full of dogmatic assertions, fanciful symbolism and speculations of an unbounded imagination in the field of sacrificial details. The sacrificial ceremonials were probably never so elaborate at the time when the early hymns were composed. But when the collections of hymns were being handed down from generation to generation the ceremonials became more and more complicated. Thus there came about the necessity of the distribution of the different sacrificial functions among several distinct classes of priests. We may assume that this was a period when the caste system was becoming established, and when the only thing which could engage wise and religious minds was sacrifice and its elaborate rituals. Free speculative thinking was thus subordinated to the service of the sacrifice, and the result was the production of the most fanciful sacramental and symbolic

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[Footnote 1: A.A. Macdonell's _History of Sanskrit Literature_, p. 31.]

[Footnote 2: Weber (_Hist. Ind. Lit_., p. 11, note) says that the word Brâhma@na signifies "that which relates to prayer _brahman_." Max Muller (_S.B.E._, I.p. lxvi) says that Brâhma@na meant "originally the sayings of Brahmans, whether in the general sense of priests, or in the more special sense of Brahman-priests." Eggeling (S.B.E. XII. Introd. p. xxii) says that the Brhâma@nas were so called "probably either because they were intended for the instruction and guidance of priests (brahman) generally; or because they were, for the most part, the authoritative utterances of such as were thoroughly versed in Vedic and sacrificial lore and competent to act as Brahmans or superintending priests." But in view of the fact that the Brâhma@nas were also supposed to be as much revealed as the Vedas, the present writer thinks that Weber's view is the correct one.]

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system, unparalleled anywhere but among the Gnostics. It is now generally believed that the close of the Brâhma@na period was not later than 500 B.C.

The Âra@nyakas.

As a further development of the Brâhma@nas however we get the Âra@nyakas or forest treatises. These works were probably composed for old men who had retired into the forest and were thus unable to perform elaborate sacrifices requiring a multitude of accessories and articles which could not be procured in forests. In these, meditations on certain symbols were supposed to be of great merit, and they gradually began to supplant the sacrifices as being of a superior order. It is here that we find that amongst a certain section of intelligent people the ritualistic ideas began to give way, and philosophic speculations about the nature of truth became gradually substituted in their place. To take an illustration from the beginning of the B@rhadâra@nyaka we find that instead of the actual performance of the horse sacrifice (_as'vamedha_) there are directions for meditating upon the dawn (_U@sas_) as the head of the horse, the sun as the eye of the horse, the air as its life, and so on. This is indeed a distinct advancement of the claims of speculation or meditation over the actual performance of the complicated ceremonials of sacrifice. The growth of the subjective speculation, as being capable of bringing the highest good, gradually resulted in the supersession of Vedic ritualism and the establishment of the claims of philosophic meditation and self-knowledge as the highest goal of life. Thus we find that the Âra@nyaka age was a period during which free thinking tried gradually to shake off the shackles of ritualism which had fettered it for a long time. It was thus that the Âra@nyakas could pave the way for the Upani@sads, revive the germs of philosophic speculation in the Vedas, and develop them in a manner which made the Upani@sads the source of all philosophy that arose in the world of Hindu thought.

The @Rg-Veda, its civilization.

The hymns of the @Rg-Veda are neither the productions of a single hand nor do they probably belong to any single age. They were composed probably at different periods by different sages, and it is not improbable that some of them were composed

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before the Aryan people entered the plains of India. They were handed down from mouth to mouth and gradually swelled through the new additions that were made by the poets of succeeding generations. It was when the collection had increased to a very considerable extent that it was probably arranged in the present form, or in some other previous forms to which the present arrangement owes its origin. They therefore reflect the civilization of the Aryan people at different periods of antiquity before and after they had come to India. This unique monument of a long vanished age is of great aesthetic value, and contains much that is genuine poetry. It enables us to get an estimate of the primitive society which produced it--the oldest book of the Aryan race. The principal means of sustenance were cattle-keeping and the cultivation of the soil with plough and harrow, mattock and hoe, and watering the ground when necessary with artificial canals. "The chief food consists," as Kaegi says, "together with bread, of various preparations of milk, cakes of flour and butter, many sorts of vegetables and fruits; meat cooked on the spits or in pots, is little used, and was probably eaten only at the great feasts and family gatherings. Drinking plays throughout a much more important part than eating [Footnote ref 1]." The wood-worker built war-chariots and wagons, as also more delicate carved works and artistic cups. Metal-workers, smiths and potters continued their trade. The women understood the plaiting of mats, weaving and sewing; they manufactured the wool of the sheep into clothing for men and covering for animals. The group of individuals forming a tribe was the highest political unit; each of the different families forming a tribe was under the sway of the father or the head of the family. Kingship was probably hereditary and in some cases electoral. Kingship was nowhere absolute, but limited by the will of the people. Most developed ideas of justice, right and law, were present in the country. Thus Kaegi says, "the hymns strongly prove how deeply the prominent minds in the people were persuaded that the eternal ordinances of the rulers of the world were as inviolable in mental and moral matters as in the realm of nature, and that every wrong act, even the unconscious, was punished and the sin expiated."[Footnote ref 2] Thus it is only right and proper to think that the Aryans had attained a pretty high degree

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[Footnote 1: _The Rigveda_, by Kaegi, 1886 edition, p. 13.]

[Footnote 2: _Ibid_. p. 18.]

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of civilization, but nowhere was the sincere spirit of the Aryans more manifested than in religion, which was the most essential and dominant feature of almost all the hymns, except a few secular ones. Thus Kaegi says, "The whole significance of the Rigveda in reference to the general history of religion, as has repeatedly been pointed out in modern times, rests upon this, that it presents to us the development of religious conceptions from the earliest beginnings to the deepest apprehension of the godhead and its relation to man [Footnote ref 1]."

The Vedic Gods.

The hymns of the @Rg-Veda were almost all composed in praise of the gods. The social and other materials are of secondary importance, as these references had only to be mentioned incidentally in giving vent to their feelings of devotion to the god. The gods here are however personalities presiding over the diverse powers of nature or forming their very essence. They have therefore no definite, systematic and separate characters like the Greek gods or the gods of the later Indian mythical works, the Purâ@nas. The powers of nature such as the storm, the rain, the thunder, are closely associated with one another, and the gods associated with them are also similar in character. The same epithets are attributed to different gods and it is only in a few specific qualities that they differ from one another. In the later mythological compositions of the Purâ@nas the gods lost their character as hypostatic powers of nature, and thus became actual personalities and characters having their tales of joy and sorrow like the mortal here below. The Vedic gods may be contrasted with them in this, that they are of an impersonal nature, as the characters they display are mostly but expressions of the powers of nature. To take an example, the fire or Agni is described, as Kaegi has it, as one that "lies concealed in the softer wood, as in a chamber, until, called forth by the rubbing in the early morning hour, he suddenly springs forth in gleaming brightness. The sacrificer takes and lays him on the wood. When the priests pour melted butter upon him, he leaps up crackling and neighing like a horse--he whom men love to see increasing like their own prosperity. They wonder at him, when, decking himself with

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[Footnote 1: _The Rigveda_, by Kaegi, p. 26.]

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changing colors like a suitor, equally beautiful on all sides, he presents to all sides his front.

"All-searching is his beam, the gleaming of his light, His, the all-beautiful, of beauteous face and glance, The changing shimmer like that floats upon the stream, So Agni's rays gleam over bright and never cease."

[Footnote ref 1] R.V.I. 143. 3.

They would describe the wind (Vâta) and adore him and say

"In what place was he born, and from whence comes he? The vital breath of gods, the world's great offspring, The God where'er he will moves at his pleasure: His rushing sound we hear--what his appearance, no one."

[Footnote ref 2] R.V.X. 168. 3, 4.

It was the forces of nature and her manifestations, on earth here, the atmosphere around and above us, or in the Heaven beyond the vault of the sky that excited the devotion and imagination of the Vedic poets. Thus with the exception of a few abstract gods of whom we shall presently speak and some dual divinities, the gods may be roughly classified as the terrestrial, atmospheric, and celestial.

Polytheism, Henotheism and Monotheism.

The plurality of the Vedic gods may lead a superficial enquirer to think the faith of the Vedic people polytheistic. But an intelligent reader will find here neither polytheism nor monotheism but a simple primitive stage of belief to which both of these may be said to owe their origin. The gods here do not preserve their proper places as in a polytheistic faith, but each one of them shrinks into insignificance or shines as supreme according as it is the object of adoration or not. The Vedic poets were the children of nature. Every natural phenomenon excited their wonder, admiration or veneration. The poet is struck with wonder that "the rough red cow gives soft white milk." The appearance or the setting of the sun sends a thrill into the minds of the Vedic sage and with wonder-gazing eyes he exclaims:

"Undropped beneath, not fastened firm, how comes it That downward turned he falls not downward? The guide of his ascending path,--who saw it?"

[Footnote Ref 1] R.V. IV. 13. 5.

The sages wonder how "the sparkling waters of all rivers flow into one ocean without ever filling it." The minds of the Vedic

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[Footnote 1: _The Rigveda_, by Kaegi, p. 35.]